Writing that kicks your ass

Sunday, December 26, 2010

Dark is the Night (November 22 & 23 chapters)


Hi all,

I just wrote a long introduction to this section for those of you who haven’t read previous chapters from this story, but then I said “screw it” and deleted the whole mess.  Hopefully the work can speak for itself. If you’re really lost, send me an email and I’ll answer any questions (or I can send you earlier chapters from the story).

These chapters come about a third of the way through the book.

I’m looking for any comments about what’s working and what needs work. Thanks in advance, and I hope you all had a great holiday! Happy (almost) New Year!

Riley

Sunday, November 21, 2010

Dog & Boy: November 21, 2010

I am proud to have sent 13 pages. Without this team, there would be 0. Work, teaching, and now, editing, takes up the the day and night. Does this all sound familiar? And, 13 sounds better for a two week turn-around.

This piece finds Colin, Bobby and Tramp searching for answers and they find an unexpected ally in Dr. Oliver, the vet that treated Tramp for his "Green Stick Fracture." I am finding a timeline of events on the wall to be crucial in the process, and yet, there may be a few erroneous statements. Please provide you usual insightful commentary and point out where you become confused.

Thank you and good night.

Bill

Schedule, November - April

November 21 - Bill
December 5 - Andy
December 26 - Riley
January 16 - Alan
February 6 - Chris
February 27 - Jason
March 20 - Daniel
April 10 - David

Saturday, October 23, 2010

Albert No-name

Here's a substantial rewrite of Albert No-name. I feel like the first version had a lot of issues. I'm interested in knowing what you think of the sequence of events, amount of info. given, general readability and whatever else catches your eye or you think needs something. Basically what works and what doesn't.

Friday, October 22, 2010

Poetry Teaching

The two weeks have gone by too quickly. We worked with 210 sophomores in ten different classes at Jamestown High School teaching a class on writing a poem.

Had them answer a question at the end of the 55 minute session. "What did I learn today?"

A few of the comments.

"Poetry is heart. Thank you!"

"I learned about other people's feelings and how to expess myself in a way that's not demeaning or painful,"

"Look down inside of ourselves to find something meaningful,"

"Poetry comes from the soul not the mind. Do not hesitate."

My admiration for classroom teachers grows each time I enter this world. And, my amazement at how much the kids know, and have experienced in their short lives, grows.

Congratulations to all the teachers reading this.

Sunday, October 3, 2010

Dark is the Night (chapters 4 and 5)

Hi all!

This excerpt picks up exactly where the last piece I posted (in July, I think?) leaves off. Hopefully you had the chance to read it, because you might be a bit lost otherwise. But I'll try to catch you up. Chapter 1 begins on December 20 (the dates are maybe slightly different in the draft of chapters 1-4 that I sent in July). Simon chats with an old man—in a Winnebago that appears to be hastily fashioned into a bloodmobile—about an impending crisis. Then the chapters alternate between the events of December 20-21 (as the crisis unfolds) and the month leading up to the crisis. During the “backtrack” chapters, we meet Simon’s mom, his brother Benjy, his best friend and partner-in-crime Mark (they conduct “missions,” including one during the morning announcements at school in chapter 4), and the cute and exciting new girl Ingrid. The chapters I've sent (5 and 6) continue the alternating pattern—chapter 5 is near the crisis point and chapter 6 backtracks to an exploration of the Winnebago Simon sees outside his kitchen window in chapter 2. Hope that helps!

I'm looking for feedback on movement, voice, characterization, and any other help you can offer.  Is the story, for instance, COHERENT!? If you haven't read the 20 pages that precede this excerpt yet (and would like to), OR if you're completely lost with these chapters (because I stink at synopses), I can send you the first 20 pages and you can comment on them instead of (or, if you're ambitious, in addition to) these 12 pages. 

Tuesday, September 21, 2010

Kid Clutch and The Breeze

Hey everybody,

I've sent you the opening chapters of Kid Clutch and The Breeze--the new incarnation of Rattled.

I've been working hard to re-imagine this story--lots of rewriting and experimentation. In this draft, I'm giving dual narrators a try, and I've tried to amp up Brian's reason for suddenly moving to Winona (though that reason isn't revealed yet in this opening section, do I give enough that the reason seems significant?). I've also been working on deepening the story of the other main character, Trina. Are you drawn into her storyline?

At this point, what I'm interested in is ratcheting up the story's significance and its feeling--does the story hit you where it counts? Maybe some things do but some things don't? I'd love your insights you have into these characters, questions you can pose to help me imagine the characters more fully, and any other suggestions and possibilities you can offer.

Thanks, guys!

Sunday, September 19, 2010

The Dog and His Boy


I have posted the most recent pages via email. Tramp is cleverly leading Colin.......well, that is what I want the reader to think. Let me know if it is working.

Group A

Group A Schedule

Sept 19 - Bill
Oct 3 - Chris
Oct 17 - Alan
Oct 31 - David


Very good.

Group B

Group B Schedule

Sept 19 - Andy
Oct 3 - Riley
Oct 17 - Jason
Oct 31 - Daniel

Tuesday, July 27, 2010

Dark is the Night

Hi all,

Sorry this is so damn late. I am a bad person.

What you have now is the first four chapters of a YA novel I'm working on. Dave, you've read most (not all) of this already, but I think it's new to everyone else.

Some questions (similar to Andy's):

1. What's working? Not?

2. How's the characterization?

3. Is the protagonist sympathetic?

4. Given what’s here (especially in chapter one), what are your expectations? Where do you see the story going? What contract do you expect to be fulfilled?

Thanks!
Riley

Sunday, July 4, 2010

The Dog and His Boy


I have emailed the pages to the team.
New Title: The Dog and His Boy.

Less telling, more showing.

Bobby Sigley is not an evil cat killer, now he is a.....

Let me know what you think of the pacing, the characters, the direction you see the story going.

Sunday, June 20, 2010

Rattled


Hey everyone,

I've attached the opening chapters of Rattled, a YA novel I'm working on. These are the first 20 pages of what might end being around 300 (just so you have an idea of what this opening chunk is in comparison to what the whole story arc might end up being).

My concerns:
1) Is my protagonist sympathetic?
2) Does the story draw you on? Does it move with good velocity?
3) What's working well and what isn't?
4) Where do you imagine the story going from here?


Thanks, guys! Happy Fathers Day to all of you fathers!

Andy

Wednesday, May 26, 2010

Eddie and Goob

Hey guys,

I've emailed you the first two chapters of my book, Eddie and Goob. At this point, I have just finished a first draft of the entire book. Six episodic chapters total. Any comments are welcome and greatly appreciated.

Dave

Tuesday, May 25, 2010

New Schedule

May 23, Dave Revere
June 6, Jason Kurtz
June 20, Andrew Cochran
July 4, Bill Kennedy
July 18, Riley Conway
August 1, Daniel Campbell
August 15, Christopher Campbell
August 29, Alan Markham

Saturday, May 15, 2010

Write Fu Review

Hey guys,

While we're all still reading and reviewing Alan's piece, let's take this next week to review how the group has worked thus far and determine the next schedule. We've cycled through all eight of us now. How has everyone thought it's gone? What has everyone's experience been? I'd like to hear from all of you.

One thing obviously has been the challenge of all of us finding the time to make comments on each reading within the two week time period. To complicate that, the two-week spacing in between new posts has been a little bendy. Has this made serious trouble for anyone?

Do you feel this group has actually benefited you and your writing? Is everyone still in for round two?

Are there things that aren't working so well for you? Any tweaks to suggest?

Is this comment format of interacting with your story useful? Do you like it being discussed in a chain of comments like this? The idea of it was to stimulate a kind of discussion about your story. But it's really more of just one person posting their independent set of notes after the other. That's actually just fine with me - but I'd be open to any suggestions.

How is the two week time length working out for everyone? Do we need to space it out more?

How about the length of the manuscripts. Should we shorten them to around ten or twelve pages to give everyone more time? Or maybe you feel 20 pages not enough?

Does anyone think nothing needs to be changed at all? Just keep doing what we're doing?

Any other thoughts, opinions, ideas you have - bring them on. My hope is to post a new schedule starting Sunday, May 23.

On another note: Andy's coming to alumni weekend during residency, and I thought it'd be a shame if we didn't all get together and have a little write-fu reunion during that time! Night would be preferable because we could drink. But if not, at least a lunch or something! Is everyone up for that? Bill and Alan, are you planning on coming out for the alumni weekend? Now you have another good reason why you should!

Wednesday, May 5, 2010

Albert No-name and the Valley of Doom

I'm emailing the text of this piece. Andy's seen a similar version of it (sorry Andy) but I'm curious to see what a this group up of guys thinks of it. I'm not looking for anything in particular.

Thanks.

Tuesday, May 4, 2010

Thanks for the REDUCTION critique--I've received a tremendous amount of insight from the comments. Most helpful were questions about Agnes, which steered me to research cults and cult leaders. Also thanks for making me think about the possibilities of male...uh...dangly-thing reductions.

I've run out of the obvious body parts to reduce: ears, nose, hands, feet, etc. Anyone have other cool ideas?

Cheers,
Chris

Thursday, April 29, 2010

On My Digital Absence...

Sorry I am behind in participating, guys.  My writing has literally been kicking my ass, not to mention all of the life I have had happening.  End of the school year approaching, and my manuscript is now up to 80 pages.  For a short story writer and poet, THAT is a daunting number.

On top of all of it, I have sold my principal on letting me venture into the field of experimentation with electronic books in the classroom. I am getting four Nooks on Monday!  How awesome is that???  This is totally new, and newsworthy story.  Every time a classroom gets these things they end up on CNN or something. I am writing all the curriculum and lesson plans, and carefully building a book list that will withstand parent and public scrutiny... attending spring concerts, soccer games, piano recitals, graduations, retirement parties, and all of the usual stuff.  Yadda yadda yadda.  Oh, and I write, somewhere in there.

Anyway, today is the day I have designated to get caught back up on my online work.  I have copies printed of Daniel's, Riley's, and Chris's work.  Looking forward to reading all of it!

Looking forward to seeing you guys in July, it's getting close!

Jason

Wednesday, April 21, 2010

REDUCTION - Chris Campbell

I forgot to start a new post for comments. Thanks for the reminder, Dave.

What doesn't work? What seems forced? What would you like to know? Worldbuilding--missed opportunities?

Thanks everyone.

Wednesday, April 14, 2010

God of Shadows

So, I'm not sure if anyone saw an earlier draft of this or not, I did bring it to workshop a year ago. This is the first 20 pages of my YA fantasy, God of Shadows. This is a long-term book that I've been working on since I was an undergraduate. I've probaly had about 6 or 7 different (as in completely new, not counting revisions) begginings since this started, though I do feel I'm much much closer now than I have been before. Also, sorry I had to cut the story off mid-chapter, but I didn't want to go over the 20 pages. It's right when a new major character enters the stage, too! If anyone does want the rest, i can send it to you. ;)

I'm up for any comments you guys can through at me, character, voice, plot, dialogue, setting, all the usual stuff. Also, how does this work as a beggining. Is it effective, does it draw you in and keep you wanting to read more? How do you feel about the protagonist, Zahz? I've been playing around with his character, so I'm curious how he feels to you. I'll take whatever comments you can give me, big or small!

I'm working with Kelly Easton on this write now, and haven't gotten comments back since revising, so I'm curious to compare and contrast what she says when I do get her comments and yours.

Thank you all so much for the help, and thanks to Dave for creating such a great writing blog!

PS - like everyone else, I'm emailing out a word document to you, and not including the 20 pages here. let me know if for some reason you don't get it!

Tuesday, April 13, 2010

Writing by hand


Hey guys, have any of you tried writing your stories by hand? How does that work out for you? I have been on a keyboard since I was a baby, but I just this week decided to try a notebook as a way of breaking out of this writer's block I've been struggling with all semester.

It's slow but I think it's helping me concentrate slightly better. Problem is I'm left handed and I hook, so I smear my ink all over the page and my hand. Here's the notebook I bought from Target. I had to have it because I'm actually writing about space robots!

Sunday, March 28, 2010

Year of the Comet

Hi guys.

This is yet another manifestation of the first two chapters of my novel (tentatively titled Year of the Comet). Some of you have seen other versions of this. Help me with the usual stuff—what’s working, what’s not, voice, characterization. All that good stuff. I’m just throwing it out there. Offer whatever comments you are moved to provide.

Thanks so much!

Riley

P.S. Actual text is attached in an email. Let me know if you didn't get it. Thanks!

Tuesday, March 23, 2010

Pet Stores: WHAT! Kermit's Swamp Years

Yes, that's right, gang. I found a movie for Bill, Andy, and well, Dave likes everything that is kid related and it has MUPPETS. Kermit's Swamp Years, (click for overview of the plot) features a young Kermit who gets captured, put into a pet shop, purchased by a high school teacher to dissect for anatomy class, and well, hi-jinks ensue. Cue talking dog, and a pet store featuring tons of reptiles. Really, Bill, this DVD would maybe fuel your thoughts on voice in your story. My kids loved it when they were younger, and I actually didn't mind sitting through it either. I thought of it both times during Bill and Andy's selections. Also, unlike the regular Muppet movies, the animals can't talk to humans... It is billed as "The prequel to The Muppet Movie".  You can also click the image for a larger view!

Tuesday, March 2, 2010

BADASS - Ben Thompson

BADASS - A relentless onslaught of the toughest warlords, vikings, samurai, pirates, gunfighters, and military commanders to ever live!

Here is a funny non-fiction book about BADASSES!  It is hilarious and strange.  Strange in that the writer uses unusually opinionated adjectives such as "urine inducing" (read menacing), "asshat" (read unpleasant fellow), and of course our current favorite from the section on Anne Bonny:

"Calico Jack was more renowned for his flamboyant wardrobe and inherant personal charm than he was for his tireless sword arm and his ability to turn British merchentmen into giant flaming infernos, but Anne seized the opportunity to set sail for awesomeness." 

It is not your traditional "Heroes of the World" type read from the non-fiction shelf, this book is just flat out full of badasses, hence the title.  Lots of comic-type illustrations and the like. Check it out! (Bought it thinking of you and your story Dave...)

Sunday, February 28, 2010

Andy's piece--Critter

Hi everyone,

I've emailed the first 20 pages of my middle-grade novel Critter to everyone--please let me know if it didn't come through.  

Just to give you an idea of the story's pacing, I think it will end up being around 220-240 pages.  

I guess that's all I want to tell you--let's see how it stands on its own!  

I have just three questions:

1) What's working well?

2) What isn't working well?

3) Where do you imagine the story going from here? (I ask this because I wonder what story I'm setting up in the reader's imagination).

Thanks, guys!

Andy

Monday, February 15, 2010

Cherry Picker by Jason Kurtz

Not so gentle men...
 
I just sent my Cherry Picker story to Alexandria LaFaye, my deadline was TODAY! :) So you get to sample what the experts get to look at...(Check your E-mail!)

Some things I am looking for:

Readability. I want you to have the impression that these guys are really talking and communicating via a variety of platforms such as game chat, texting, email, email to text, blog (I think that is all in these 18 pages!)

Teens have an entire life that happens after their parents’ lives are over for the day, and for many that heavily involves technology.

The language. Workshoppers have complained about the language (all women). Thoughts from the guys?  Is this REAL?

My age group is 14-19-year-olds, the action takes place shortly before the beginning of their senior year. Hi-jinks ensue...

Thanks for looking at it!

Jason

PS: Hope you enjoy my the mock-up of my cover that I use for inspiration! ;)
PPS: Remember to comment below this entry.

Tuesday, February 9, 2010

A standing offer

Hey guys,

I just wanted to put this offer out there.

I have some longer works that feel as though they're in the later stages of the process (I hesitate to say finished!), and I feel that sometimes with whole drafts of long works, it's best to receive feedback on the whole thing.

So my offer is this: If anyone wants to trade their book-length draft, I'm willing and eager.

The problem, of course, is that we're all pretty busy, and reading a book-in-progress and giving feedback on it is a huge commitment.  I know I'd have to make sure I have a not-so-busy week or so during which I could read someone's draft.

I do have a good chunk of free time coming up, in case someone has a longer piece they'd like feedback on.  I have spring break from March 6th to the 14th, and in that time I could read someone's draft and give feedback.  And after May, once school is out, I'll have plenty of time, so if summer rolls around and you've got a whole draft of something long and you'd like some feedback, I'm glad to read.

And if anyone's up for commenting on one of mine, I'm ready at any time.  I have my YA novel (65,000 words) and my middle-grade gross-out (a little less than 12,000) ready for feedback.

Tuesday, February 2, 2010

Notes on Bathrobe Daydream

Dave,

My comments are at the bottom of the text (b1) through (b12)

The way the comments appear came out as a surprise to me. I did it in word and the comments are posted in the text, not at the end. I can resend if necessary. Let me know. I thoroughly enjoyed the reading.

Bill K.

[b1] Bathrobe Daydream
A short story
By David Revere
“Attention Ladies and not-so-gentle men!"
The announcer's voice thunders into the sweaty air as I muscle my way to a seat in the back of the arena.
"The one and only ‘Toughest Guy Ever’ tournament is about to begin! The steeliest, crustiest, fiercest fighters of all time have stepped from out of the pages of history to make their case for the title here tonight!”
[b2] I’m just in time to witness a single-file line of hulky legends strut down an aisle toward the raised wrestling ring in the middle of the arena. Roving spotlights and pounding heavy metal music accompany their puff-chested entrance.
[b3] I smile with the corner of my mouth. So many famous egomaniacs. It’s easily history’s greatest “who’s who” event this side of judgment day. Goliath is the first to catch my eye. The 10-foot man-tree may not be the handsomest Philistine to have ever walked the earth, but he tries to make up for it with pure charisma.
“I’ll feed your flesh to the birds of the air!” he bellows at the preening gallant in front of him. Blackbeard isn’t impressed. One-eyed and scowl-faced, the buccaneer spits back, “I’ll run ye through with me cutlass and swab the deck with yer innards, thou lumpish, flap-mouthed land lubber!”
The manly parade continues to fill the ring: Genghis Khan, Bruce Lee, William Wallace. Jaws drop as each new celebrity takes the stage.
When all the fighters have assembled along the ring’s perimeter, a pinstriped referee steps up to explain the rules. “Tonight’s contestants will fight bare-fisted. In order for the match to end, one fighter must be rendered completely incapacitated. Power and skill must determine the champion.”
“Let the battle begin!” the announcer booms.
[b4] The fights are brutal, mesmerizing the ecstatic crowd. Each man brings his own flavor of ferocity and menace to the ring, but one warrior stands out above the rest. Wiry [b5] Achilles makes dispatching history’s greatest legends seem effortless. The Spartan-armored golden boy strides around the ring with his fist in the air after every victory.
Blackbeard limps away with a grumbling “Arrgh,” deprived of his other eye. Goliath crashes to the deck, crushed under Achilles’ heel.
Before long, every contestant is bested. Time has not retired Achilles' title as greatest warrior on Earth. “Is there no one else?” His voice is a petrifying roar of testosterone. “Is there no one else?”
For the first time tonight, silence permeates the arena. Achilles is content to let the moment linger… until I stand up. [b6] Clad in my bathrobe and swimming trunks, I swagger my way down the aisle. Every head turns with me, mouth open. Achilles flashes a bemused smile, but it fades by the time I step up into the ring. I shrug off my robe and assume a fighting stance, peals of laughter ensuing.
"Who invited the Karate Kid?" one guy yells.
"Watch your heel, Achilles!" jokes someone else. "He's about eye level!"
Achilles is all grimace as he regards me from the other side of the ring. The certainty of victory lights his eyes a wicked, crimson hue. The referee throws up his hands and walks away. I crack my neck and grin.
“Shall we dance, my red, red rose?”
The sounds of the arena drift into the distance as Achilles and I circle close. I fake a jab to the right and step in with a left hook. Catching my fist in mid-air, he smashes my face with a left elbow, following all the way through. I reel into the ropes.
The world is spinning, but I'm not slowing down. I use the ropes for momentum and launch back towards him like a slingshot. He steps aside effortlessly and I stumble on past. When I whirl around to face him again, he bends his knees extra low and unleashes a two-punch combo to my rib cage. The crowd gasps. I crumple to the floor, deprived of breath and orientation.
Moments later I’m on my feet, staggering towards my foe. Achilles is provoked to speech. “Who are you?”
I spread my arms wide.[b7] “I am the sun, my daisy!”
I grit my teeth as hands viciously grab my shoulder and thigh. Achilles lifts me high into the air and tosses me into the post on the opposite corner of the ring. The pain is blinding, but I'm not stopping now. I regain a foot, half lunging, half swaying towards him.
“I am the breeze, my sweet carnation,” I gasp. An elbow to my chin snaps my head back. I sway like a drunk and crash back into the post. I scramble to my feet again, spitting teeth on the mat. Blood fills my mouth. My eyes are swelling shut. My nose feels like mush on my face. I shuffle towards Achilles like one of the living dead. The crowd gapes in deathly silence.
“Stop this madness!” my opponent pleads.
“I am the rain, my thoft thunflower!” Knuckles are the last thing I see.
The lights are out, but I’m still home. Somehow, there's wind rushing in my ears. Then the blackness turns to blue and I realize I'm flying up past the clouds. The sun is bright. The air is thin and cold.
[b8] "Caaaaw!" A bald eagle rockets straight up past me. I can understand its eagle language. “Follow meeeeeee,” it’s calling as it corkscrews upwards. I spin after it, but it flies faster and higher like it wants to leave the world altogether.
Now I don't know if it's the thinning air, the eagle, or my unknown destination, but something about this [b9] daydream is starting to feel farfetched. Downright silly even. Aren’t I breaking the rules of sense and logic and whatever else? The eagle doesn't seem to care. That makes me wonder. If the sky is my limit - if I can break the rules, who’s really to decide the toughest guy ever?
“Caaaaw!” says the eagle. That’s what I thought.
The faint echo of a noisy crowd reaches my ear from somewhere down below. I smile. I allow myself to fall back down.
[b10] As I break past the clouds, my eyes open and the arena ceiling comes into focus. My body is slick with sweat and blood, but now it feels like I’m connected to something in the ground. Like an electric current. I sit up straight.
A hush falls over the crowd. Achilles has his back to me, his fist still raised in victory.
I stand to my feet. He freezes, then turns.
A quiver underlines his voice as he asks the question for the second time. “Who. Are. You?”
[b11] “I am the thinker, my daffodil.” I speak with the voice of the crowd, the universe, a trillion souls at once.
Achilles’ head jerks up and around before centering back down on me. I balance on one foot and lift my arms to either side, turning my hands down like hooks. The champion raises his fists but not high enough. I let loose a cosmic "WHAAAAAA" and leap into the air. Crane kick to the face. He flies up over the ropes and smashes down into the official’s table. The crowd goes wild as Achilles makes a scramble for the door. But I don’t chase him.
[b12] I’ve got a date with the sky.

[b1]Voice of protagonist is interesting, but I am not sure of his age , his physical appearance, or, more importantly, his yearning. What does he want? What is he running from? He seems to be on stage. Is this his way of coping with some horrible event in his life? Does he want death? Is daydreaming , or sleep, how he escapes

[b2]Sounds like a very literate hero.

[b3]Very well educated in the bible, R.L. Stevenson, movies, history.

[b4]All at once or two at a time?

[b5]First mention of Achilles, the dude also reads Greek mythology. Or sees a lot of Brad Pitt movies.

[b6]This kid goes to a lot of movies.

[b7]His voice says poet, his actions say WWF. I want to know more of his motivation and yearning.

[b8]Crow sound for sure, Is it Eagleeze.

[b9]Is it a dream?

[b10]Is the dream over?

[b11]A muscled John Keats?

[b12]
Dave,
Very poetic. Well written. I want to know more about his motivation and a hint of what is next. Great line at the end, but I need a hint earlier of why he is after a date with the sky. Some rock hard detail. The length is fine. Not too short with a touch of what could be next. I really enjoyed reading this and hope you have a few of your questions answered.
I know 4th & 5th grade boys would like this if a few of the issues I brought up could be answered

Bill K.

Thursday, January 28, 2010

Schedule and getting started

Okay mateys, let's get started! Here is the schedule:

Jan. 31 Dave Revere
Feb. 14 Jason Kurtz
Feb. 28 Andrew Cochran
March 14 Bill Kennedy
March 28 Riley Conway
April 4 Daniel Campbell
April 18 Christopher Campbell
May 2 Alan Markham

Let me know if this needs to be changed around. In mid May, let's have a discussion evaluating how this is working and if everyone is getting something out of it. Do we want to move to every week so that we get more input on our work? Are the comment-based discussions working?

From now until Sunday when I first post my work, let's do some introductions since I know some of us know each other less than others. Please post a comment to this post. We should write a paragraph or so introducing ourselves to everyone else. I'll start. Here we go!

Tuesday, January 19, 2010

Rules for posting to write fu

I pretty much pulled these rules out of my butt, so please lets discuss. Do these rules seem okay? Do they need to be changed? Are there other considerations to make? Does every other week seem too often or not often enough for a new manuscript? Post comments and let me know.

1 - New manuscript posted every other week
2 - no more than 20 pages at a time
3 - post at the beginning of the week - Sunday if possible. Monday if necessary.
4 - Comments from everyone within a week so that further, more in depth discussion has an opportunity to occur if it is needed before the next manuscript
5 - You can resubmit the same work you submitted last time around if you want us to take a look at your revision. Or the next 20 pages. Or another piece. Whatever you want. Try to get out of this group the input that would be the most useful for you.
6 - Privacy kind of goes without saying. Don't show anyone each others work unless you get permission from that person.
7 - Have fun with this. Let's appreciate the understanding we all have that we are apart of this not just for ourselves, but to support and lift each other up (ass-kicking jokes aside). Community is why we're doing this to begin with!

The name of whoever's work is up for comment goes here

This is where the text of the writing sample can go. Any guiding questions that the person wants should preface the sample. If the person prefers to email the writing sample separately to the group, then they can just put the guiding questions here.

An example of the guiding preface could be:

"This is a rough draft of the first 20 pages of my ya novel. I'd just like a basic, workshop style read of this. What is working and what isn't? What is pulling you out of the story? What is making you keep reading? I feel particularly stuck with my characterization. Any thoughts on making my character less flat would be helpful. I'm not really sure what he wants."

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