Dave,
My comments are at the bottom of the text (b1) through (b12)
The way the comments appear came out as a surprise to me. I did it in word and the comments are posted in the text, not at the end. I can resend if necessary. Let me know. I thoroughly enjoyed the reading.
Bill K.
[b1] Bathrobe Daydream
A short story
By David Revere
“Attention Ladies and not-so-gentle men!"
The announcer's voice thunders into the sweaty air as I muscle my way to a seat in the back of the arena.
"The one and only ‘Toughest Guy Ever’ tournament is about to begin! The steeliest, crustiest, fiercest fighters of all time have stepped from out of the pages of history to make their case for the title here tonight!”
[b2] I’m just in time to witness a single-file line of hulky legends strut down an aisle toward the raised wrestling ring in the middle of the arena. Roving spotlights and pounding heavy metal music accompany their puff-chested entrance.
[b3] I smile with the corner of my mouth. So many famous egomaniacs. It’s easily history’s greatest “who’s who” event this side of judgment day. Goliath is the first to catch my eye. The 10-foot man-tree may not be the handsomest Philistine to have ever walked the earth, but he tries to make up for it with pure charisma.
“I’ll feed your flesh to the birds of the air!” he bellows at the preening gallant in front of him. Blackbeard isn’t impressed. One-eyed and scowl-faced, the buccaneer spits back, “I’ll run ye through with me cutlass and swab the deck with yer innards, thou lumpish, flap-mouthed land lubber!”
The manly parade continues to fill the ring: Genghis Khan, Bruce Lee, William Wallace. Jaws drop as each new celebrity takes the stage.
When all the fighters have assembled along the ring’s perimeter, a pinstriped referee steps up to explain the rules. “Tonight’s contestants will fight bare-fisted. In order for the match to end, one fighter must be rendered completely incapacitated. Power and skill must determine the champion.”
“Let the battle begin!” the announcer booms.
[b4] The fights are brutal, mesmerizing the ecstatic crowd. Each man brings his own flavor of ferocity and menace to the ring, but one warrior stands out above the rest. Wiry [b5] Achilles makes dispatching history’s greatest legends seem effortless. The Spartan-armored golden boy strides around the ring with his fist in the air after every victory.
Blackbeard limps away with a grumbling “Arrgh,” deprived of his other eye. Goliath crashes to the deck, crushed under Achilles’ heel.
Before long, every contestant is bested. Time has not retired Achilles' title as greatest warrior on Earth. “Is there no one else?” His voice is a petrifying roar of testosterone. “Is there no one else?”
For the first time tonight, silence permeates the arena. Achilles is content to let the moment linger… until I stand up. [b6] Clad in my bathrobe and swimming trunks, I swagger my way down the aisle. Every head turns with me, mouth open. Achilles flashes a bemused smile, but it fades by the time I step up into the ring. I shrug off my robe and assume a fighting stance, peals of laughter ensuing.
"Who invited the Karate Kid?" one guy yells.
"Watch your heel, Achilles!" jokes someone else. "He's about eye level!"
Achilles is all grimace as he regards me from the other side of the ring. The certainty of victory lights his eyes a wicked, crimson hue. The referee throws up his hands and walks away. I crack my neck and grin.
“Shall we dance, my red, red rose?”
The sounds of the arena drift into the distance as Achilles and I circle close. I fake a jab to the right and step in with a left hook. Catching my fist in mid-air, he smashes my face with a left elbow, following all the way through. I reel into the ropes.
The world is spinning, but I'm not slowing down. I use the ropes for momentum and launch back towards him like a slingshot. He steps aside effortlessly and I stumble on past. When I whirl around to face him again, he bends his knees extra low and unleashes a two-punch combo to my rib cage. The crowd gasps. I crumple to the floor, deprived of breath and orientation.
Moments later I’m on my feet, staggering towards my foe. Achilles is provoked to speech. “Who are you?”
I spread my arms wide.[b7] “I am the sun, my daisy!”
I grit my teeth as hands viciously grab my shoulder and thigh. Achilles lifts me high into the air and tosses me into the post on the opposite corner of the ring. The pain is blinding, but I'm not stopping now. I regain a foot, half lunging, half swaying towards him.
“I am the breeze, my sweet carnation,” I gasp. An elbow to my chin snaps my head back. I sway like a drunk and crash back into the post. I scramble to my feet again, spitting teeth on the mat. Blood fills my mouth. My eyes are swelling shut. My nose feels like mush on my face. I shuffle towards Achilles like one of the living dead. The crowd gapes in deathly silence.
“Stop this madness!” my opponent pleads.
“I am the rain, my thoft thunflower!” Knuckles are the last thing I see.
The lights are out, but I’m still home. Somehow, there's wind rushing in my ears. Then the blackness turns to blue and I realize I'm flying up past the clouds. The sun is bright. The air is thin and cold.
[b8] "Caaaaw!" A bald eagle rockets straight up past me. I can understand its eagle language. “Follow meeeeeee,” it’s calling as it corkscrews upwards. I spin after it, but it flies faster and higher like it wants to leave the world altogether.
Now I don't know if it's the thinning air, the eagle, or my unknown destination, but something about this [b9] daydream is starting to feel farfetched. Downright silly even. Aren’t I breaking the rules of sense and logic and whatever else? The eagle doesn't seem to care. That makes me wonder. If the sky is my limit - if I can break the rules, who’s really to decide the toughest guy ever?
“Caaaaw!” says the eagle. That’s what I thought.
The faint echo of a noisy crowd reaches my ear from somewhere down below. I smile. I allow myself to fall back down.
[b10] As I break past the clouds, my eyes open and the arena ceiling comes into focus. My body is slick with sweat and blood, but now it feels like I’m connected to something in the ground. Like an electric current. I sit up straight.
A hush falls over the crowd. Achilles has his back to me, his fist still raised in victory.
I stand to my feet. He freezes, then turns.
A quiver underlines his voice as he asks the question for the second time. “Who. Are. You?”
[b11] “I am the thinker, my daffodil.” I speak with the voice of the crowd, the universe, a trillion souls at once.
Achilles’ head jerks up and around before centering back down on me. I balance on one foot and lift my arms to either side, turning my hands down like hooks. The champion raises his fists but not high enough. I let loose a cosmic "WHAAAAAA" and leap into the air. Crane kick to the face. He flies up over the ropes and smashes down into the official’s table. The crowd goes wild as Achilles makes a scramble for the door. But I don’t chase him.
[b12] I’ve got a date with the sky.
[b1]Voice of protagonist is interesting, but I am not sure of his age , his physical appearance, or, more importantly, his yearning. What does he want? What is he running from? He seems to be on stage. Is this his way of coping with some horrible event in his life? Does he want death? Is daydreaming , or sleep, how he escapes
[b2]Sounds like a very literate hero.
[b3]Very well educated in the bible, R.L. Stevenson, movies, history.
[b4]All at once or two at a time?
[b5]First mention of Achilles, the dude also reads Greek mythology. Or sees a lot of Brad Pitt movies.
[b6]This kid goes to a lot of movies.
[b7]His voice says poet, his actions say WWF. I want to know more of his motivation and yearning.
[b8]Crow sound for sure, Is it Eagleeze.
[b9]Is it a dream?
[b10]Is the dream over?
[b11]A muscled John Keats?
[b12]
Dave,
Very poetic. Well written. I want to know more about his motivation and a hint of what is next. Great line at the end, but I need a hint earlier of why he is after a date with the sky. Some rock hard detail. The length is fine. Not too short with a touch of what could be next. I really enjoyed reading this and hope you have a few of your questions answered.
I know 4th & 5th grade boys would like this if a few of the issues I brought up could be answered
Bill K.
Writing that kicks your ass
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Wonderful story, Dave! I enjoyed it so much when you read it at the residency, and I was dying to know the end!
ReplyDeleteYou set the scene and the rules of this world right from the start. I know that this is in an arena, it's a tough-guy competition, and tough guys from all throughout history are fighting in it. So much humor and excitement--I wish that the boy me could have read this story--he would have loved it!
I like that the protagonist goes unnamed--there is meaning in that since he goes up against the champion of all tough guys, Achilles, and all the other tough guys are named and are famous and are highly egotistical. And I love the protag for who he is--he's awesome! He is in stark contrast to all these tough guys--they are egomaniac champions while he is the willing hero, brave and unflinching and hopeful! I also like that he survives certain defeat--and death--and he survives with his identity intact.
This story is so enjoyable and funny and thrilling and the prose is so tight and playful that I almost feel like I don't want to prod too much.
I feel that I'm not getting a tiny part of the message (a very tiny part--like 2% of it). And maybe this is it: The outer conflict is plain to me, but the inner conflict could be brought into clearer focus or resolution. I know that this is the tough-guy competition and I know that the protagonist triumphs and that he is in stark contrast to Achilles and the others in so many ways, and I know that the protagonist declares himself "the thinker," but I'm not quite sure what the personal victory he makes is, or what the exact transformation that he makes is. And I don't mean to say that he doesn't attain a personal victory or doesn't transform--because I'm feeling that he does triumph and he does transform, and I think his experience is profound. I'm just not sure of his triumph/transformation's exact nature.
I think that once the protagonist returns to his body and sits bolt upright in the ring, the game has suddenly changed, and all the rules about toughness and the measurements of toughness are about to blasted away by the protag, that something about him (maybe his willing hero-ness!) is tougher than even Achilles, and I feel that the way he defeats Achilles could demonstrate what it is in the protagonist that is tougher than Achilles' brand of toughness. Maybe the protagonist's triumph/transformation is exactly that: exalting that most awesome aspect of himself (what a wonderful thing for a person to do--to actualize their best possibilities!). What about himself does the protagonist choose to actualize? And what is the alternative, the temptation?
I feel I've written a lot of words, Dave, to explain something very small. If you have any questions about my feedback, please ask them.
Your story is an amazing piece of writing. Please let me know how it's doing as you work on it--I love it and I know boys will, too!
Loving the input so far. One quick note: I deleted my first "Bathrobe Daydream" post so we could keep this all one conversation thread. Here is what I said about my story in case you want it again:
ReplyDelete"I guess I'm at the stage where I appreciate lots of people looking at it and getting their reactions as to what works and what doesn't. I'd like to know what kind of age group you think this is good for? What kind of feeling does it leave you with? And especially for the typical, straightforward reading boy, any suggestions on making the obtuse parts less so? I'd like it to be able to work as a straightforward story, but it has some unusual layers too which are very hard to make work smoothly."
Having the benefit of reading an earlier version, I would say that most of the confusion regarding who is speaking ("I am the sun, my daisy," etc.) has been cleared up with one exception: the main character's first line of “Shall we dance, my red, red rose?” because there is no tag--I said (or some such identifier).
ReplyDeleteBruce Lee is a good addition--talk about a tough guy (but a nice tough guy, no?), but the reference to William Wallace was lost on me. If you aim to have the story enjoyed on a simple level, I doubt the average middle-grade boy would get the reference. How about a cyclops? Vlad the Impaler? The kid's third grade teacher, Ms. Snarkface?
I'm wondering about the line: "Moments later I'm on my feet, staggering towards my foe. Achilles is provoked to speech. “Who are you?”" I'm not sure how to read Achilles' question. Is he in awe of the main character because he won't stay down? I don't get the sense that he is impressed with his opponent...Is he annoyed with the main character? Like, "C'mon dude, I'm busy and don't have time for this--just stay down and I won't rip your spine out through the top of your head." I want to know at this moment how Achilles views the kid, which doesn't come through for me as the line is currently written.
I like that you have the main character kick Achilles in the head to end the match, rather than simply have A. run away like in the original version. If the kid is daydreaming, it seems like he would get in one decent, bout-ending lick.
Great short story. It would definitely appeal to adults. Many of the YA crowd would also enjoy it. One key to your reader getting full enjoyment from your story is of course knowing who The Thinker is. That could help define your audience. Some of your imagery may be a little sophisticated for most middle-grade readers although I'm sure lots of them would get it.
ReplyDeleteFood For Thought:
ReplyDelete“Bathrobe Daydream” sounds a little Hefner-esque to me. Our narrator calls himself “the thinker” but it is the power of dreams that defeats Achilles, no? So for title, and narrator, I’d call him The Dreamer (IMHO). I really think that illustrates what you are trying to say, and that is that in your dreams, you can do anything! New title: Punch-Drunk Dreamer or some such thing. Gotta get away from the “robe” though! ;)
What has been mentioned about age is really true. We don’t have a fix on his age, and that would definitely throw readers a rope. If he is younger, the fight description may have to be toned down, or use it with two of the adult fighters, so our hero knows what he is getting into. Then when it comes to pulping the face you may be able to use less description? I tried reading this with a 10-year-old in mind, and thought it was a bit graphic, yet then if I thought it was an early teen, maybe not so much.
I’d have liked to see him give himself powers (taller, more muscles, Hell, heat-ray vision!) to defeat Achilles. This is a dream world after all. I think this story REALLY works well, because I used to dream like this. I would become (change into) Conan in my dreams and be able to defeat anything. I was 13-14 so I think you can play this around your ages.
For everyone:
Revision Reminder: When revising, remember to look at your adjectives. I’m going to use Dave’s work, to illustrate. Normally in work shop I would say, “Mary, when this is over, can we have a teaching moment? Talk to us about using adjectives.” Well, Mary isn’t here, so I am taking it upon myself to remind us all to “sprinkle” adjectives. In example #1 there are over ten, and often multiple adjectives per noun. This is over-seasoned:
Example #1: “I’m just in time to witness a single-file line of hulky legends strut down an aisle toward the raised wrestling ring in the middle of the arena. Roving spotlights and pounding heavy metal music accompany their puff-chested entrance.”
In Example #2, the sentence has more power along with a tasty bit of genius:
“Each man brings his own flavor of ferocity and menace to the ring, but one warrior stands out above the rest.”
“flavor of ferocity”! Brilliant!
Dave, thanks for being first! I wonder about a place for YA shot-fiction as well, as I really like short fiction. Maybe Megan Atwood will publish some in her online journal. Let us all know if you find some. If you guys aren’t following her blog yet for the Young Adult Literature Journal, here is the url: http://yalj.blogspot.com/
Will send out my Doc next weekend!
Leave it to Jason (the titillation expert) to bring Hefner into the conversation. I guess the story does involve a bathrobe…
ReplyDeleteI kid.
Anyway, Dave—what a fun story. Really. I loved your reading during residency, and I enjoyed taking a closer look at the story now. The humor. The energy. Great stuff. And I love the subtle jokes, especially when you twist or subvert our expectations—like when Achilles crushes with his heel (it’s his strength instead of his weakness).
In response to your questions:
Age group? I imaged elaborate scenarios like this when I was as young as six or seven, but I think the story is written for more like a ten-to-twelve-year-old. That said, I agree that it might be a bit too graphic for younger readers. Not that I advocate censorship (I don’t). And what boy doesn’t love a little blood and guts? But some of the violence is particularly brutal and perhaps better suited for YA readers. But with the type of imagination involved, I really feel like this is a middle grade story (that, of course, anyone can enjoy).
The feeling? Excitement. Wonder. Awe. Inspiration.
As far as making it work as a straightforward reading, maybe (and this is just ONE suggestion of several things you could experiment with) try a fresh draft with a single, unifying motif? For instance, stick to the wrestling thing. Instead of calling the characters “celebrities,” just refer to them as contestants or competitors, etc. I definitely like the use of recognizable historical figures, but just use their names and characteristics—it’s probably not necessary to continually refer to the fact that they’re historical. Trust that your reader will know who they are.
That said, make sure your target audience recognizes the figures. I agree with Chris that William Wallace might be out of that scope. If this is indeed a story for 10-12 year old, will any of them have seen Braveheart or studied Scottish history?
I think if you do this straight telling, your other, layered meanings will emerge naturally by virtue of the strength of your original story (and its details). So really hone in on the characters and what makes them them. Not only your protagonist, but also the contestants. When you tell us that each has his own ferocity, I’d love to have some specific examples of said ferocity.
Finally, meaning. I think what this story means to us is highly dependent on who we think our protagonist is. I agree that we needn’t know his name. But we should have a sense of his age. And we need to know what he’s all about. What does he want? How (if at all) does he change?
I think this is relatively easy to solve (and goes back to my comment about details/specificity above). Through much of the story, he’s a passive observer of the events. The story almost seems to be narrated in third person during parts of the action. What if he was a little more active, reactive? He doesn’t need to be physically involved in the story early on (his physical involvement now is fine), but he could be emotionally involved. How does he feel about the events that are unfolding? This would tell us so much about him. As Andy mentions, the inner conflict could be brought out more.
And as that inner conflict becomes clear, the critical moment, where the protag’s conflict comes into focus, will speak both to the nature of the character and the “meaning” of the story.
Bottomline: It’s a great story. Everything you need is there. Sharpen and tease out what’s lying underneath.
Who is the thinker and what is his inner conflict? How old is he? This seems to be the common theme. I have a question, but bear with me as I set it up for you first.
ReplyDeleteThe feeling I want conveyed about this protagonist is he is 12 year old kid having a boyish daydream. The point of crisis is with the eagle after he's been knocked out and he realizes this is all so ridiculous. But then with the invitation from the eagle to go completely out of this world, he realizes nothing is impossible in this place - this space of imagination and thought. He is the thinker.
In an earlier draft, I had - I don't know what you would call them - these "direct address" thought tags I guess. I would interject them throughout so my protagonist would actually sort of step out of the story and say something that created and shaped his daydream as it happened.
So for instance, when Achilles asks "Who are you?" For the first time, I had a separate, italicized line after that the said:
Fear my triumphant laugh.
For reference, think about Fight Club, and how Edward Norton's voice-over narration actually informs or tells you how to think about the action as it happens. Like when he says "I feel like destroying something beautiful" or
"I am Jack's smirking revenge."
I took all of these tags out for this draft because they were seeming to cause more confusion instead of less. But do any of you think they could be effectively used to know who the thinker is and what he wants? It seems like that is my path to making this central question clear.
Your thoughts have been very helpful and definitely useful for my next draft. Great conversation!
Hey Dave, great to see this piece again!
ReplyDeleteI think removing the italicized words does make it much easier to follow and avoid confusion, but remember to include speech tags. The reader won't be bothered by seeing an extra Achilles said or I said, it will only clear up confusion for them, especially since they are not familiar at this point with the personality of the speaker.
Another thing I would say is try to use line breaks to your advantage. It's not as easy to do with a short story as it is to do with a picture book, but it can be just as powerful. Look for the wow moments and push them further. End a paragraph on a sentence that makes the reader gasp. Line breaks can be used to control the flow of a story, too. For instance: “I am the rain, my thoft thunflower!” Knuckles are the last thing I see." could read...
“I am the rain, my thoft thunflower!”
Knuckles are the last thing I see.
If we don't have a chance to pause, we miss the punch literally and figuratively. Also, this is a good spot to add a speech tag. Perhaps something witty like "I say spitting a cracked tooth against Achilles's chest."
Another example would be “Caaaaw!” says the eagle. That’s what I thought.
By changing it to...
“Caaaaw!” says the eagle.
That’s what I thought.
It intensifies the impact of that next line by letting it stand alone. Look for those moments in your story (because there's a lot) and utilize them!
I would like some set-up or wind-down. We know it's a daydream because you told us, but given that he's wearing a bathrobe in the dream, as well as has a dream-within the dream of flying, it could confuse your reader. I'd love to see him wake up or start to daydream. Even just a line or two could add a lot. Who is the thinker? All we know of him is his dream self, I would love to get just a glimpse of the person he is in reality. Why is this what the protagonist daydreaming about this?
I really love the fun of this piece, and I definitely wouldn't remove references, I'd put more in if you can get away with it. It was great fun for us in the workshop, and I know it would be the same for the reader. I know you drew a lot of your inspiration from movies... could there be fictional characters too? I don't want it to turn into that Ultimate Showdown song, but it's a thought. Alternatively, think about what movies (Like Troy) that you love that your protagonist might also and pull in more dialogue, pull in the references, because it's a big strength.
I also like the addition of the narrator realizing his power. It's a great moment and just what this story needed there!
I love the karate kid reference. Very nice Daniel-san. I still think the running away, even after that kick, is a bit out of character for Achilles, I think it might be better to have him just be knocked out. He could even say something like "One-hit KO."
Very nice work all around Dave, I really like where this is going! (I'd still love to see it as a whole novel of inter-spersed day-dream and real world chapters!)
Keep up the great work!
Tagging on to what Daniel said, I really liked the alternating daydream and real world idea. Not saying you have to go with that, of course. But it might be fun to play around with. Either as a novel or short story.
ReplyDeleteSee James Thurber's "The Secret Life of Walter Mitty."